showing 29 results matching culture:"Kungrat"

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Warp-twined (LM) band. Pieced red and green wool flannel ground with polychrome silk embroidery. There is a block printed cotton substrate beneath the wool. The top edge and the upper four inches of the PR edge retain a narrow embroidered silk finishing band. The remaining edges are raw. There is no backing. Center shield-shaped design surrounded border. Embroidered through backing. Chain stitch.

Uuk kap ilgich, 19th century

Kungrat

Not on View
Black wool ground with polychrome silk embroidery. There is a block printed cotton substrate through which the embroidery is worked. A hand written inscription is seen on one edge of the substrate. There is no finish treatment on the edges, and backing. Three edges are turned under and basted; one edge is raw and partially detached. Center square surrounded by border. All is embroidered. Chain stitch.

Ilgich, early 20th century

Kungrat

Not on View
Hand woven red wool ground with polychrome wool and silk embroidery. There is no edge binding or backing. One edge is a selvage; the others are raw. The panel is hand stitched to black cotton fabric. The verso is not visible. May be folded under at top.

Ilgich, 19th century

Kungrat

Not on View
Crocheted fringe, cloth and ikat bands, Pieced, printed lining.Black wool ground with polychrome silk embroidery. Two fabrics are used in the edge binding: black cotton and silk/cotton ikat. There is a braided cotton fringe with metal discs. The backing is pieced printed cotton fabric. Center square motif with wide border, all four sides. Chain stitch.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Cloth bands on reverse edge, No backing cloth, lining fragments. Hand woven coarse red wool ground fabric with polychrome wool embroidery. One edge has a narrow embroidered border (top in photo). On the reverse, there is a striped cotton edging on three sides. There is no backing, binding, or fringe. Ground fabric is pieced near/over edge. Large center square with border of smaller motifs on all four sides.

Ilgich, early 20th century

Kungrat

Not on View
Hand woven red wool horizontally pieced ground with polychrome silk embroidery. The panel is hand stitched at the edges and in a grid pattern, to black cotton fabric. There is no edge binding or backing. The verso is not visible.

Ilgich, 20th century

Kungrat

Not on View
Cloth band, Bag back: cotton with printed lining, Red cotton flannel ground with polychrome silk embroidery. The black and white edge binding is formed from silk threads arranged in a herringbone pattern. The back of the bag is cotton flannel, and the inside lining is printed cotton fabric. Center five-sided shield with wide border on all five sides. Ties at upper corners, Chain stitch, embroidered through backing.

Uuk kap ilgich, 1920-1950

Kungrat

Not on View
Pieced fringe with warp-twined (tablet) heading and cloth band Pieced, block-printed lining. Pieced, black wool ground with polychrome silk embroidery. Striped cotton twill binding; embroidered silk tape edging with integral fringe. Red dominates. Center square with wide embroidered border on 3 sides. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stitched through a white scrim and screen to a white linen covered strainer (wood).

Ilgich, early 20th century

Kungrat

Not on View
Wrapped and knotted lattice treatment on pieced fringe with warp-twined (tablet) heading, Pieced, printed lining. Black wool ground fabric with polychrome silk embroidery. The knotted fringe is silk. A printed cotton backing is attached to three sides by machine stitching and handsewn on the other. Center square with three borders. Top border not embroidered. Hand stitched to lining. Chain Stitch.

Ilgich, late 19th century

Kungrat

Not on View
Fringe with warp-twined (LM) heading, No backing cloth. Black twill-woven wool ground with wool, silk, and synthetic? embroidery. There is a wool fringe. No backing is present. Reverse exposes stitching. Applied, narrow edging all four sides. Ground cloth has vertical, center seam. 09-26-2005 fibers tested ,microscope analysis:wool,silk .No synthetic. Christine Lien

Ilgich, 19th century

Kungrat

Not on View
Braided-net fringe, Bag back: striped cloth, lined. Black wool ground with polychrome silk embroidery. There is a braided silk fringe with wrapped tassels of silk, cotton, and metal. The backing is cotton twill, striped in red and white. Center square with borders on all four edges.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Black wool ground with polychrome silk embroidery through a substrate of pieced printed and striped cotton. The edges are unfinished and there is no backing. Center square with wide borders. All embroidered. Chain stitch.

Ilgich, early 20th century

Kungrat

Not on View
Fringe with warp-twined (LM) heading, No backing cloth. Hand-woven red wool twill ground fabric with wool and silk embroidery. The fringe is made of silk and wool fibers in two shades of green. One hanging loop is present at PR. There is no backing. Embroidered border on sides and bottom. Vertical center join before embroidery. Top border is plain red, pieced. Some motifs are outlined, but not filled with embroidery.

Ilgich, 19th century

Kungrat

Not on View
Ikat band, Bag back: striped cloth, printed and woven linings. Black wool ground with polychrome silk embroidery. There is a silk/cotton ikat band at the top edge that folds 1 1/4" into reverse. there are two corded silk/cotton hanging loops at top center and top left. The interior of the bag is pieced of plain and printed cotton fabrics. The backing is a woven striped silk/cotton fabric.

Ilgich, late 19th century

Kungrat

Not on View
Fringe with warp-twined heading (LM), ikat and pieced, printed band, No backing cloth. Pieced handwoven red wool ground with wool embroidery. The top edge is bound with wool. There is applied wool fringe on the other three sides. No backing is present. Fringe in sections of different colors; green, gold, tan and pink.

Ilgich, 19th century

Kungrat

Not on View
Multiple fringes with warp-twined heading, warp-twined (LM) edge. Printed lining. Black wool ground with polychrome silk embroidery and cotton and silk fringes. There is a printed cotton backing, and a silk/cotton ikat edging on the reverse. Center square of large patterns with border on sides and bottom.

Ilgich, late 19th-early 20th century

Kungrat

Not on View
Black wool ground with polychrome silk embroidery. The edges are unfinished, and have been trimmed since the existing photo was taken. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Center square with wide embroidered border that is interrupted to accommodate. Stitched to white flannel and cotton black fabric covered strainer. Chain stitch.

Ilgich, 20th century

Kungrat

Not on View
Braided-net fringe with tassels, cloth band. Black wool ground with polychrome silk embroidery. The edges are trimmed with a band of silk cross stitch embroidery on a cotton ground. There is an attached braided silk fringe with wrapped cotton and silk tassels. The embroidery is presently hand stitched to a fabric covered mount. the verso is not visible. Ikat strip at top.

Ilgich, 20th century

Kungrat

Not on View
Braided-net fringes with tassels, warp-twined (LM) and embroidered bands, assumed LM braid. Pieced, printed lining. Chain stitch, black wool ground with polychrome silk embroidery. There is a woven silk fringe with wrapped silk/cotton tassels on all four sides. There is a silk-on-cotton embroidered finishing band on the bottom edge. The backing is pieced from two different printed cotton fabrics. The fringe and tassels at the upper edge appear to be a later addition; they are a different pattern and color from the rest. woven fringe is in sections of random colors. Some tassels are wrapped with metal wire or wrapped metallic cord.

Da-our, late 19th-early 20th century

Kungrat

Not on View
Braided-net fringe, fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Pieced ikat and printed lining. Black wool ground with polychrome silk embroidery, red wool edge binding, braided silk fringe with wrapped tassels. The red wool panel at the center is pieced with silk/cotton ikat under the flap. The panel is backed with printed cotton fabric, same as flap backing. Chain stitch

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined heading, embroidered and cloth bands, Pieced, printed lining. Red and black plain weave wool ground in the visible area; under the flap the ground is pieced from printed cotton fabrics. The embroidery is worked in polychrome silk threads. There is an edge binding of red cotton fabric. The applied fringe is silk. There is a backing of red printed cotton fabric.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined (tablet) heading, warp-twined (LM) edge, cloth band, Two printed linings. Black wool ground with polychrome silk embroidery. The edges are bound with cotton fabric, and finished with two varieties of red silk fringe. The central red square is outlined with a silk woven edging. The part of the square covered by the flap is red cotton fabric. There is a printed red cotton backing. Three-side designed border and red wool center square are pieced. Flap is embroidered and edged with fringe. Chain stitch.

Tabaklau ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined (LM) heading, warp-twined (LM) band Black wool ground with silk chain stitch embroidery and two attached silk edgings on four sides. The fringe is cotton. Interior edging is woven in red and white. Outside is all red and carries the fringe. The embroidery is presently hand stitched to a fabric mount; the verso is not visible. It is mounted and sewn through a white flannel on a black wool covered strainer. Red and yellow dominate.

Tabaklau ilgich, late 19th century

Kungrat or Durmen

Not on View
Black wool pieced ground with polychrome silk embroidery through a printed cotton substrate. There is no binding, edge finishing, or backing. Red basting stitch along one edge for 12".

Ilgich, early 20th century

Kungrat or Durmen

Not on View
Braided-net fringe, embroidered and warp-twined (LM) bands. Black wool ground with polychrome silk embroidery. There is an attached braided fringe with silk and cotton tassels. The edging is a red and white cross stitch band worked on red cotton. Wrapped tassels are randomly placed solid colors center design with 3-sided border. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and sewn through white flannel to a black wool covered wood strainer.

Ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Pieced fringe with warp-twined (tablet) heading and cloth band Pieced, block-printed lining. Pieced black ground, mostly wool but with some cotton at the top. Polychrome silk embroidery in chain stitch. Silk/cotton ikat binding at the top edge. Nine medaillions, mostly red. The embroidery is presently hand stitched to a fabric covered mount; the verso is not visible. Mounted and stiched through white flannel on a black wool covered strainer.

Ilgich, late 19th-early 20th century

Kungrat or Durmen

Not on View
Fringe with warp-twined heading, warp-twined bands, Pieced, printed lining. Dark red wool ground with polychrome silk embroidery. Patterned silk tape edging with red silk fringe border all four sides. The backing is printed cotton fabric (red polka dots). Applied braid with fringe, all four edges. Chain stitch.

Ilgich, late 19th century

Kungrat or Durmen

Not on View
Fringes with warp-twined (LM) headings, Pieced, printed lining Brushed red wool ground with polychrome silk embroidery. There are two different fringes on the edges; one, on the top and PL, is all silk; the other, on the bottom and PR, is silk and cotton. The backing is pieced from two printed cotton fabrics. There are two intact hanging loops. Chain stitch dominates.

Ilgich, late 19th-early 20th century

Dasht-i-Kipchak (probably Kungrat)

Not on View
Fringes with warp-twined (LM) heading, wide embroidered bands . Overall cross stitch embroidery in silk, synthetic, and cotton threads on a cotton ground with center vertical join. The borders are attached red wool bands with chain stitch dominating, backed with cotton fabric. The panel is trimmed with cotton fringe. There are two intact hanging loops. No backing is present; the construction technique is clearly visible on the reverse.

Wall hanging, 19th century

Shahrisabs or Kitab center with Kungrat borders

Not on View

showing 29 results matching culture:"Kungrat"

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